After the great success of Vol.2, Platform 101, a nonprofit and independent art institution, is continuing the Glitch Video Art Group Exhibition in Tehran, Iran Vol.03, entitled “Glitch: Aesthetic of the Pixels”, curated by Mohammad Ali Famori, featuring 27 international glitch artists from 5th-12th November 2021 at Pejman Foundation: Kandovan.

Since 2019, Platform 101 mission, in collaboration with Art Researcher and Famori Studio, revolves around establishing a solid foundation for digital arts and new media in Iran by supporting the artists and musicians and expanding the knowledge of glitch art among the Iranian community. On the third edition of these exhibitions, they are rereading the definition of Glitch Art in collaboration with Aleph Team and supported by  The Holy Art and Fine Art Shippers.

The ambiguity formed in the Glitch language pursues two functions; on one hand, it makes the pixel as the smallest component of the digital image that carries a new form of its independent identity, on the other hand, it allows the audience to look into the distorted and damaged images and participate in the aesthetic effects with their own interpretations.   

Pixel aesthetic in glitch art is a discourse that moves from the whole to parts and subsequently from parts to the whole, creating a cycle that makes us look at pixels as independent and aesthetic elements. Therefore, glitch artists redefine the pixel language and its aesthetics in our minds by creating works to introduce the value and nature of pixels apart from the typical public opinions about noise.

The structural contradictions and apparent similarities between pixel and visual languages have led the glitch artists to use all the available features and strategies of the visual language.

The 27 International Video Artists from countries such as Iran, Brazil, USA, Hungary, Ukraine, Portugal, UK, Azerbaijan, Argentina,Peru, Singapore include:

Abarca, Arash Masoom, Arezou Ramezani, Aqeaq Afkhami, Chris Kore, Diyufang, Elnaz Mohammadi, Erfan Ashourioun, Franco Palioff, Hernando Urrutia, Mohammad Ali Famori, Mohammad Abdollahzadeh, Monika Mihaly, Nazila Karimi, Neda Dastafkan, Nima Mansoury, Parisa Pakzamir, Parnian Donyari, Ramin Saeidian, Reza Famori, Sabato Vissconti, Sadegh Majlesi, Shalala Salamzadeh, Shahab Shahali, Suture Blue/ Brittany Nickels, Shirin Karami Mofrad, Yannet Vilela Medina.

Sound Designers:

Farbod Hamedi, Kamran Mottaghi, Ehsan Masoudian, Mohammad Sahebzamani, Babak Sepanta, Jesper Frederiksen

نوشته Glitch Video Art Group exhibition of Platform 101 at Kandovan building اولین بار در Honargardi. پدیدار شد.

The 2nd edition represents a forum for the direct exchange of ideas and contacts between collectors, artists, photographers, designers, and art professionals. The art fair features paintings, sculptures, photography art, installations, video art, and live performance.

Among all the selected artists for this exhibition you can see the name of an Iranian artist Arezou Ramezani who is a visual artist and animator.

“Aberration of Inner Child” is her glitch animation video art which has been exhibited for the first time in “Platform 101” Glitch: Pixel language group exhibition at Bavan Gallery in Tehran, Iran.

In this video, Art Ramezani used glitch animation to demonstrate the subject of lost and weary souls in today’s world and the memories that can be continuously edited, constructed, and reconstructed that have left us but we still cling onto.

Her work deploys a dreamy world and shows the thug-o-war within oneself to go from the dark side to the bright side, trying to stay aware while being surrounded by too many noises and parasites.

BARCELONA CONTEMPORARY 2021 analyses the relationship between body and space, and the hybridization between identities and cultural/physical/social/urban settings in contemporary time, through two main sections: MIXING IDENTITIES and FUTURE LANDSCAPES.

BARCELONA CONTEMPORARY, organized by ITSLIQUID Group, will be held in Barcelona, at Valid World Hall Gallery from June 24 to July 11, 2021.

نوشته Aberration of Inner Child in Barcelona Contemporary 2021 اولین بار در Honargardi. پدیدار شد.

The artists of this video art believe that melancholy is an attempt to represent a shattered subject in dealing with the gigantic volume of the symbolic system. A giant of letters and symbols that try every day to shape and categorize subjects into predetermined models; A kind of distortion of reality that establishes a preconceived truth.

Melancholy is for Ashourioun and the owner of the time to escape from this category, from these letters. Melancholia is the inverted definition of reality by a schizophrenic subject. To achieve this, the angle of view from the neutral and observer character to the gaze of the inflamed subject has been changed; It is as if the audience is experiencing an abstract journey through the screen to the subject’s mind.

The artists of this video art believe that in melancholy, visual forms (made by Touch Designer) are narrators. Attempts have been made to associate these forms with the general states of several events as if they were distant memories that affected the subject’s mind, and today we recall only an overview of the visual state of those memories.

The Ashouriouns have tried to deform the elements to the point that they are moving on the border between the initial state and complete deformation; This movement and repetition of the elements, this crooked look at the objects will create a kind of distrust in the received affairs for the audience.

Erfan Ashourian is a digital media artist born in 1995 in Isfahan, Iran. Ashourioun is an artist who works in the field of composing and performing music using digital tools. Inspired by nature, organic forms, and phenomena, he shows the concept of decay in abstract forms.

For the Ashourioun, in the construction of joint projects, after the formation of the idea in general and the consideration of different points of view, plans are made separately on an aura of dialogues. Like disjointed lines, which then becomes a coherent poem with the composition related to the original form of the idea of ​​lines.

In this case, form and content become an integral element. The various spatial constructions, gaps, and vocal connections as represented in melancholy become a representation of this.

Mohammad Saheb Zamani was born in 1995 in Tehran. He has a bachelor’s degree in music and is a composer. His current focus is on electroacoustic music and experimental music. His main instrument, which he started playing at the age of 16, is the piano.

Ashourioun and Saheb Zamani believe that melancholy is somehow related to a kind of loss and loss of an object that has disappeared from one’s consciousness. This is also reflected in the poem in the piece; An expression with a dull, mournful tone, along with the melancholy whisper of a melancholy person, shows something extra that is absent in mourning: a remarkable decline in self-esteem, a massive impoverishment of the soul.

According to Ashourioun, if the final work is what was depicted before the idea was made, that pleasure of discovery and the ideas added along the way will be lost. Evolution is the effect of an instantaneous reaction on a prefabricated material. The stronger the material, the more difficult and complex the reactions will be.

نوشته Object losses; About Erfan Ashourioun Glitch Video Art اولین بار در Honargardi. پدیدار شد.

These videos are based on fractals produced by the artist, in the form of a short film. Diyu Fang was inspired by the fractal nature of the world, the complex architecture, and the infinite concept to make these video arts. His goal is to bring the infinite complexity and nature of fractals to life in the form of challenging films.

Di Yoo Aka Diyu Fang is a Singapore-based filmmaker, artist, and composer working primarily as an animator and filmmaker. Diyu Fang has been interested in visual arts and music since childhood and has always been interested in creative expression.

His job is to create artistic formats that bridge the gap between different genres by combining different styles and techniques and using unconventional methods to create something innovative and completely new.

He visualizes all the stages of his activity before starting work; Even if his vision changes without progress or with progress.

While working on a myriad of themes, Diyu Fang maintains a distinct line of refinement, emotional impact, and intricate detail. He has learned himself; His art and work originate from his pure passion and ambition. Diyu Fang began his artistic career as a composer and producer and then turned to filmmaking, animation, and screenwriting.

He is very interested in creating stories and plans to one day produce and direct his own TV series and movies.

The exhibition of Diyu Fang’s Artworks in the form of a group exhibition of Platform 101, curated by Mohammad Ali Famori and Sadegh Majlesi, will be held until Thursday, January 9, 2017, at -1 Bavan Gallery in Tehran.

نوشته Fractal Nature; About Diyu Fang’s Glitch Video Art اولین بار در Honargardi. پدیدار شد.

Each week we feature updates on current graffiti scenes in a number of major U.S. cities with the help of a few select photographers.

نوشته SCENE REPORT: NEW YORK اولین بار در Honargardi. پدیدار شد.

نوشته Cultural Sensibility اولین بار در Honargardi. پدیدار شد.

نوشته AN UPDATE WITH MECRO اولین بار در Honargardi. پدیدار شد.

Each week we feature updates on current graffiti scenes in a number of major U.S. cities with the help of a few select photographers.

نوشته SCENE REPORT: LOS ANGELES اولین بار در Honargardi. پدیدار شد.

نوشته A NON-SIGN BILLBOARD اولین بار در Honargardi. پدیدار شد.

via ineedaguide and csg

نوشته UTTAPORN NIMMALAIKAEW اولین بار در Honargardi. پدیدار شد.