بایگانی‌های Sculpturing - Honargardi

THE AVOID CONVERSATION TABLE BY MICHAEL BEITZ

علیرضا محمدشاه — Wed, 12 Apr 2017 08:32:48 +0000

This could come in handy on those awkward dinner time arguments, or better yet, a really bad date. Michael Beitz has created the “avoid conversation dining table,” featuring a central hump in the middle to obstruct the diner at the other end of the table. You will now be speaking to a piece of wood.

نوشته THE AVOID CONVERSATION TABLE BY MICHAEL BEITZ اولین بار در Honargardi. پدیدار شد.

FLYING, FLOATING SCULPTURES BY CEDRIC LE BORGNE

علیرضا محمدشاه — Wed, 12 Apr 2017 08:12:09 +0000

Like his Voyageur sculpture that travel around the world, Cédric Le Borgne invites everyone to view daily life in a fresh way, to rise up, to dream. By abolishing barriers, his work of exploring spaces is sensitive, his poetry subtly interacts with each place it comments upon. From sculptures made of chicken wire to photo or video, from perennial installations to spontaneous performance, from street-art to web-art, his work is free of formal constraints.

نوشته FLYING, FLOATING SCULPTURES BY CEDRIC LE BORGNE اولین بار در Honargardi. پدیدار شد.

WIRES

علیرضا محمدشاه — Thu, 03 Nov 2016 22:10:54 +0000

This is my personal project I did over a half a year ago. It is a 2.0 version of the WIRES project I did last year:

https://www.behance.net/gallery/24324249/WIRES-v1

Hope you like it!

Thanks for watching and for your support!

You can follow my work on Facebook and Instagram!

نوشته WIRES اولین بار در Honargardi. پدیدار شد.

YORKSHIRE SCULPTURE PARK

علیرضا محمدشاه — Tue, 31 May 2016 20:07:34 +0000

Fresh on the heels and current run of KAWS’s beautiful show, Yorkshire Sculpture Park just opened another stunning show by Not Vital, the first major UK show of the Swiss and China and Rio de Janeiro and Niger-based artist.

نوشته YORKSHIRE SCULPTURE PARK اولین بار در Honargardi. پدیدار شد.

NEON SCULPTURES BY MERYL PATAKY

علیرضا محمدشاه — Tue, 31 May 2016 20:04:45 +0000

Meryl Pataky is an alchemist of many mediums; she applies her passion for bending neon to an ever-progressive range of materials to create sculptures that relate to her concept of universal connectedness.

From silver and copper to neon, iron and carbon, Meryl’s work utilizes its own materiality to make a statement about the material of the greater universe. In doing so, Meryl combines her technical skills with myriad materials with her own personal narrative, building complex, staggering artworks that invite the viewer to divine the threads that influenced her process

نوشته NEON SCULPTURES BY MERYL PATAKY اولین بار در Honargardi. پدیدار شد.

In conversation with Ceramic Artist, Michael Boroniec

علیرضا محمدشاه — Fri, 20 May 2016 09:43:20 +0000

Michael Boroniec is an American artist, based in Massachusetts who studied at Rhode Island School of Design. The peculiarity of his art resides in the use of ceramic as a primary material. Boroniec’s Spatial Spirals series involves to create sculptural objects by modelling vessel thrown on the wheel, into open spirals. His body of work aims to confer elegance and motion to a material which is normally perceived and hard and heavy. We speak to the artist about his processes and the mutual effects of art on the individual.

A: What made you first think of using ceramic material to produce works of fine art?
MB: As a child I always loved to paint and draw. I would de-assemble my toys to see how they worked and rebuild something entirely new. When I was 8 my mother would take me to ceramic classes. It was here I first felt clay could take on an infinite amount of forms and expressions. Not only is clay one of the most abundant and oldest materials on earth, making up 75 percent of Earth’s crust, but it is deeply rooted in civilizations. To me it became a material of expression in a long lineage of history.

A: The material you use undeniably holds a tactile nature that perhaps other art media lacks, is there something specific that you find within this that resonates with you?
MB: There is something humbling about feeling the earth between my hands. Even when I paint I don’t like to use a brush. It is the physical connection between material and consciousness, working innately with a medium so malleable that transmutes into “stone” and becomes permanent.

A: Do you think that a physical craft is linked to a psychological state of mind?
MB: Yes, it makes the artwork more impulsive, more in the moment. There are signs of human touch and for that reason it is a more intimate artwork than industrial made works that we see so much of today. The physical connection between the earth and consciousness lends itself to an introspective state.

A: What, if any, is the message behind your work?
MB: My work takes what many consider a craft and bridge the gap to what people consider Fine Art. When I look at Art I find myself I am drawn to works with a lot of skill, patience, and dedication to a material as well as a strong conceptual aspect. I try to bring that same dichotomy to my work.

The Future Now Symposium

علیرضا محمدشاه — Fri, 20 May 2016 09:40:28 +0000

There’s less than two weeks to go until Future Now: The Aesthetica Art Prize Symposium opens at York St John University. The event is an opportunity for you to meet the UK’s leading art organisations, publications and curators. Tackling key themes in today’s artistic climate, Future Now focuses on the arts ecosystem within a broader social context. The symposium is a place for an exchange of ideas, offering support, talent development and networking opportunities to those working in the sector.

Alongside talks, panel discussions and networking opportunities, Future Now will host a series of Portfolio Reviews. These sessions are designed for practitioners working across all media, including drawing and painting, photography and digital art, sculpture, design and three-dimensional art, video, installation and performance. Here, you will have the opportunity to book a slot with industry experts who can give you essential advice and guidance either on your current practice, or your career progression opportunities. This is a unique chance to develop your work and find out about new ways to expand your practice.

Portfolio Reviews will take place at 10:00, 13:00 and 16:00 on Day One and Day Two. Reviewers include Dr Alistair Payne, Glasgow School of Art; Professor Jo Stockham, Royal College of Art; Andrea Luka Zimmerman, Central St Martin’s; Maggie Ellis, FLAMIN; Sebastian Bland, Suitcase Magazine; Carla Rapoport, Lumen Prize; Eleanor Clayton, The Hepworth Wakefield; Stephanie Bush, Zabludowicz Collection; Sophie Hall, Flowers Gallery; Ian Fenton, Random Acts North, and more.

Portfolio Reviews can be booked as part of a One-Day or Two-Day Pass. Both include free access to the Thursday Night Networking Party at 1331.

Reserve your place and join the discussion: www.aestheticamagazine.com/symposium or call 01904 629 137.

Credits
1. Katherine Anne Rose. Longlisted Aesthetica Art Prize artist.

Posted on Aesthetica

نوشته The Future Now Symposium اولین بار در Honargardi. پدیدار شد.

BOOMBOX RETROSPECTIVE

علیرضا محمدشاه — Thu, 12 May 2016 08:48:09 +0000

The installation includes Toyan’s (2002), a group of speakers eight feet tall by twelve feet across inspired by Jamaican sound systems, and Presidential Vampire Booth (2002), complete with a stocked bar and Presidential seal. Sachs’s work is crafted from a wide range of materials such as plywood, foamcore, batteries, duct tape, wires, hot glue, and solder.

Boombox Retrospective, 1999–2016 features eighteen works that highlight the artist’s ability to inventively transform ordinary, everyday materials into art. With wit and ingenuity, he creates boom box sculptures that play music and activate the space, turning it into an immersive sound environment. The work is programmed with playlists that go on sequentially throughout our public hours.

Tom Sachs have NYC covered: not only does he have the Tea Ceremony show at the Noguchi Museum and an upcoming show Nuggets with Jeffrey Deitch, but his phenomenol Boombox Retrospective show is traveling to the Brooklyn Museum from April 21—August 14 2016. We saw the show at The Contemporary Austin last year, and it was one of our favorite exhibitions from 2015. Oh, and Tom Sachs and Satan Ceramics are featured in our May 2016 issue (get that here).

نوشته BOOMBOX RETROSPECTIVE اولین بار در Honargardi. پدیدار شد.

COATING THE ROOMS IN BALLOON

علیرضا محمدشاه — Thu, 12 May 2016 08:43:36 +0000

The balloon becomes part of the existing architecture as the air presses against the plastic to outline the solid shapes of the room. The space is transformed through this new texture, light, and a monochrome color. We’re longtime fans of the ephemeral installations of Penique Productions. They’ve created a surreal series of single-color rooms. The collective, which was started in Barcelona in 2007, picks each site, then sets up a massive inflatable plastic balloon which expands to fill the entire space.

نوشته COATING THE ROOMS IN BALLOON اولین بار در Honargardi. پدیدار شد.

CUBAN ROOTS OF WIRE AND PAPER

علیرضا محمدشاه — Mon, 02 May 2016 15:26:28 +0000

Born in 1962 in La Havana, Jorge Mayet is a Cuban expatriate artist living and working in Mallorca, Spain. He says, “I recreate with wires, paper, and other elements my own landscapes which at the same time form part of my culture, my roots, and the identity of my town”

From his website:
Devoided of political connotation, Mayet’s work is a reminiscence of his native Cuba as well as a personal metaphor about exile and liberation. After graduating from San Alejandro’s National School of Fine Arts in Cuba, Jorge Mayet started his early career with painting which gradually gave way to his current sculptures and installations. Today, allegorical landscapes are created from his studio which are embodiments of his life experiences.

نوشته CUBAN ROOTS OF WIRE AND PAPER اولین بار در Honargardi. پدیدار شد.