{"id":1311,"date":"2015-08-26T12:36:57","date_gmt":"2015-08-26T09:06:57","guid":{"rendered":"https:\/\/honargardi.com\/en\/2015\/08\/26\/interview-with-andrew-salgado-about-his-recent-artworks\/"},"modified":"2015-08-26T12:36:57","modified_gmt":"2015-08-26T09:06:57","slug":"interview-with-andrew-salgado-about-his-recent-artworks","status":"publish","type":"post","link":"https:\/\/honargardi.com\/en\/interview-with-andrew-salgado-about-his-recent-artworks\/","title":{"rendered":"Interview with Andrew Salgado about his recent artworks"},"content":{"rendered":"<p>Andrew Salgado is an active Canadian painter. His studio is based in London and according to his website, He has been listed by Saatchi as \u201cone to invest in today\u201d. We had this chance to have a interview with him, and you can read it below:<\/p>\n<p><a href=\"http:\/\/honargardi.com\/wp-content\/uploads\/2015\/08\/Andrew-Salgado_canadian_artist_interview_with_honargardi_2015-2.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium wp-image-243 aligncenter\" src=\"http:\/\/honargardi.com\/wp-content\/uploads\/2015\/08\/Andrew-Salgado_canadian_artist_interview_with_honargardi_2015-2-500x500.jpg\" alt=\"Andrew Salgado_canadian_artist_interview_with_honargardi_2015 (2)\" width=\"500\" height=\"500\" \/><\/a><\/p>\n<ul style=\"text-align: justify\">\n<li><strong>How do you describe your artworks?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">It\u2019s strange, this is one of the questions I find most difficult to explain properly. On a cursory level, they are figurative paintings, verging on abstraction. But that\u2019s a bit banal \u2013 a bit over simplified and vague. I realized at one point that my goal as an artist was to create figurative works unlike those anyone had ever seen. Picasso achieved this. Bacon achieved this. It\u2019s a lofty goal but I have a lifetime to pursue it.<\/p>\n<p style=\"text-align: justify\">Most recently the works have become less confined by what I call the shackles of concept. I\u2019m having more fun playing with paint.\u00a0 My approach is looser and more exploratory. There\u2019s a strong element of narrative and whimsy that perhaps wasn\u2019t so effortless before.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>As it can be seen in your artworks, human figures, especially male bodies are the main subjects. What attracts you towards this subject?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">I often say that I\u2019m a \u201cyoung white dude\u201d so I paint what I know\u2026thus a lot of paintings of \u201cyoung white dudes\u201d. That explanation is only slightly tongue-in-cheek. I\u2019m attracted to the brutishness, grotesqueness, and strange \u2013 even monstrous beauty \u2013 of the male form. We see this a lot in classical art archetypes. The Dionysian. The Laocoonian. From Michelangelo to Bjarne Melgaard. I like playing with the physicality and jarring edges of masculinity (both literally and metaphorically speaking) and for me, often women (as a concept and a physiognomy) can be perceived as too soft. As viewers, we view paintings of females as objects of lust. Its how we are indoctrinated to read images. We don\u2019t view men through such a dismissive, objectifying lens.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>The combination of colors in your artworks is so interesting and unique in a way. What is the concept behind such a combination?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">I paint organically. Whatever feels right. My colour palette is becoming increasingly more restrained, more tempered. More greys and browns. Less bright colors. I almost never use blue. To me, colour has a direct correlation to psychological readings.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>\u00a0 Are you willing to have any exhibitions in Iran?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">I love the idea of exhibiting in exotic, different locations. I\u2019m working on Miami, FL and Sydney, Australia at the moment. I\u2019m off to Taipei in 2015. These are all exciting prospects for me. Iran would be wild. So, yes.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>How crucial it is for you to make your audience understand what you mean?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">I think this is a difficult question. Sure, my intentions are important. My work isn\u2019t void of thought or purpose. But one can only inform the audience so much. You know the saying \u201cyou can lead a horse to water (but you cannot force it to drink)\u201d. I feel like I have equipped the audience with all the information at their disposal. Should they choose to consume it, that\u2019s their prerogative? But it\u2019s not crucial. The work needs to exist and speak without this context.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>What inspires you most?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">Everything. Simple things. A conversation. A line of prose in a book. A song. A face. That look. That jaw. What he said. What I said. The thoughts that occurred afterwards.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>Do you listen to music while painting?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">*TAKEN FROM NUMERO CINQ MAGAZINE OCTOBER 2014<\/p>\n<p style=\"text-align: justify\">I think music definitely pervades the creative process. And to me, it\u2019s\u00a0crucial. Of course, we\u2019ve all heard the belief from a particular camp that considers music to be a perversion of the artist\u2019s true vision, as though there exists some fundamental or erroneous cause that will destroy your artistic vision if you \u2013 god forbid, listen to music while you paint \u2013 but you know, I will do whatever I need to do in studio to make myself comfortable. I don\u2019t drink alcohol when I paint, and I know some artists that work half-cut most days, and I don\u2019t think them any better or worse for it. So any real practicing artist will get past these strange stigmas and work however they want, in whatever context allows them to tap into that creative source. I listen to music obsessively, and this has often greatly informed my practice. For me, there\u2019s a brilliant marriage between the two, and to think that they are or should be mutually exclusive is foolish. The greatest brains of all time have always considered art as a whole and complex entity: think of the Italian Renaissance, these people were artists on the largest sense and this idea encapsulated all art forms.<\/p>\n<p style=\"text-align: justify\">I spend the majority of my time alone, performing upon my own set of expectations, and music keeps me calm and focused. I\u2019m very particular about what I listen to, but I think music can have beautiful effects on the brain and how that in turn affects the performance of the body, and translated thereafter to the brush upon the canvas. I tend to fixate rather obsessively on things in studio, and over the years certain albums have epitomized periods of my work. One of the first albums that struck me so profoundly while working was Kate Bush\u2019s 2005\u00a0<em>Aerial<\/em>\u00a0which is such a complex, obsessive piece of art in and of itself that it actually changed how I worked as a painter. Antony and the Johnsons\u00a0<em>The Crying Light<\/em> was really affective, but I had to stop listening to it because it became too all-consuming, and quite sad. Some favorites since then have been Wild Beast\u2019s\u00a0<em>Smother<\/em>.\u00a0St Vincent\u2019s\u00a0<em>Actor\u00a0<\/em>has been played steadily for a couple of years.\u00a0<em>Wooden Arms\u00a0<\/em>by fellow Canadian Patrick Watson is an album close to flawless for me. And I love Radiohead, but who doesn\u2019t? Right now I\u2019m relishing an album by iamamiwhoami called\u00a0<em>Bounty<\/em>.<\/p>\n<ul style=\"text-align: justify\">\n<li><strong>We put our signatures in whatever we do daily. What is your signature in your artworks?<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify\">I feel like I exist in each of these works. It was Oscar Wilde that said each portrait says more about the artist than the sitter, and I believe that. I\u2019ve purported to talk about myself less, and in doing so, I think I\u2019ve actually sharpened my message. People often ask if I do self-portraits and I sort of feel like this is a superfluous, narcissistic act. Each painting is my self-portrait. Each show is my message.<\/p>\n<p style=\"text-align: justify\"><a href=\"http:\/\/honargardi.com\/wp-content\/uploads\/2015\/08\/Andrew-Salgado_canadian_artist_interview_with_honargardi_2015-1.jpg\"><img decoding=\"async\" class=\"size-medium wp-image-242 aligncenter\" src=\"http:\/\/honargardi.com\/wp-content\/uploads\/2015\/08\/Andrew-Salgado_canadian_artist_interview_with_honargardi_2015-1-500x333.jpg\" alt=\"Andrew Salgado_canadian_artist_interview_with_honargardi_2015 (1)\" width=\"500\" height=\"333\" \/><\/a><\/p>\n<p style=\"text-align: justify\">*For more information visit his <a href=\"http:\/\/www.andrewsalgado.com\/\" target=\"_blank\">website<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andrew Salgado is an active Canadian painter. His studio is based in London and according to his website, He has been listed by Saatchi as \u201cone to invest in today\u201d. We had this chance to have a interview with him, and you can read it below: How do you describe your artworks? It\u2019s strange, this [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":975,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[57,2],"tags":[136,137,138],"class_list":["post-1311","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-painting","category-visual-arts","tag-andrew-salgado","tag-art","tag-painting","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview with Andrew Salgado about his recent artworks - Honargardi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/honargardi.com\/en\/interview-with-andrew-salgado-about-his-recent-artworks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview with Andrew Salgado about his recent artworks - Honargardi\" \/>\n<meta property=\"og:description\" content=\"Andrew Salgado is an active Canadian painter. His studio is based in London and according to his website, He has been listed by Saatchi as \u201cone to invest in today\u201d. We had this chance to have a interview with him, and you can read it below: How do you describe your artworks? 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