{"id":1322,"date":"2015-08-17T21:12:47","date_gmt":"2015-08-17T17:42:47","guid":{"rendered":"https:\/\/honargardi.com\/en\/2015\/08\/17\/an-update-with-gyer\/"},"modified":"2015-08-17T21:12:47","modified_gmt":"2015-08-17T17:42:47","slug":"an-update-with-gyer","status":"publish","type":"post","link":"https:\/\/honargardi.com\/en\/an-update-with-gyer\/","title":{"rendered":"AN UPDATE WITH GYER"},"content":{"rendered":"<p>\u201cL&#8217;erba Cativa (l&#8217;an mor mai)\u201d is a collective performance that draws inspiration from some timeless images and words, timeless because of their subversive power. These come from Aeschylus&#8217;s Oresteia, and especially from the figures of the Furious Erinyes, \u201cthose baleful children of the night\u201d that symbolize the impossibility of taming wild nature. Rebellious figures difficult to categorize. Presences as enigmatic and mysterious as the performers of the parade that burst into the Santarcangelo Festival 2015, on Saturday July 18th.<\/p>\n<div id='gallery-1' class='gallery galleryid-1322 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-16-at-19.13.47.jpeg'><img decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-16-at-19.13.47-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"A bright burst of white smoke or fire against a dark, stormy background, from &#039;Honest Expression&#039; by Behrouz Farahani and Hossein Pour Ismail\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-10-at-19.37.32.jpeg'><img decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-10-at-19.37.32-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Abstract monochrome image of scattered debris around drill-like machinery, from Parisa Pakzamir&#039;s &#039;Tools of Destruction&#039;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-24-at-18.47.34.jpeg'><img decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-24-at-18.47.34-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Abstract black-and-white 3D wireframe glitch artwork resembling architectural structures\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-09-at-18.43.16-1.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-09-at-18.43.16-1-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Pixelated black-and-white glitch portrait emerging from visual noise, from Shalala Salamzadeh&#039;s &#039;Visualization Alone&#039;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-09-at-18.43.16.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-09-at-18.43.16-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Glitch-distorted grayscale artwork with a faint human face beneath striped digital noise\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2020-11-17-at-23.05.40-1.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2020-11-17-at-23.05.40-1-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Album cover mockup for Vol.02 Erratic Glitch, an EP by Noise Space (Farbod Hamedi)\" srcset=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2020-11-17-at-23.05.40-1-200x200.jpeg 200w, https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2020-11-17-at-23.05.40-1-768x768.jpeg 768w, https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2020-11-17-at-23.05.40-1.jpeg 1024w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-17-at-14.57.23.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-17-at-14.57.23-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"dastafkan\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-16-at-19.25.09.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-16-at-19.25.09-200x200.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Abstract black ink-splatter artwork on a white background\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>Pasolini in his \u201cNotes Towards an African Orestes\u201d links the Furies or Erinyes with enormous trees, shaken by the wind in the African forest. \u201cBut the Furies are unrepresentable under a human aspect and so I would represent them under a non human aspect. These trees, for instances, lost in the silence of the forest, monstrous, in some way, and terrible. What makes Africa terrible is its solitude, the monstrous forms that nature can take. The deep and scary silences. Irrationality is animal. The Furies are the goddesses of the animal moment of man.\u201d *<br \/>\nStarting from this metaphor, Andreco drew the symbols and the whole iconography of \u201cL&#8217;Erba cativa\u201d parade, which was fully set up during the Go Deep workshop coordinated at the end of June at the Astoria ex-cinema in Rimini with Motus . Go Deep was an intense participative process articulated around ten days of collective work; thirty-five young people involved in various artistic fields, most of whom living in the local or nearby territory, took part in it. An unforgettable experience that has led to the birth of a new collective of artists, \u201cGodeepers\u201d, who will continue to work independently in the region, also in anticipation of the reopening of the Rimini ex-cinema, that has been closed for 10 years.<\/p>\n<p>&nbsp;<\/p>\n<div id='gallery-2' class='gallery galleryid-1322 gallery-columns-4 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-12.39.33.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"675\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-12.39.33.jpeg\" class=\"attachment-medium size-medium\" alt=\"Black-and-white glitch-art close-up of a distorted, doll-like face, from Arezou Ramezani&#039;s &#039;Constant War Within Humans&#039;\" srcset=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-12.39.33.jpeg 1080w, https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-12.39.33-768x480.jpeg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-01.59.58.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-01.59.58.jpeg\" class=\"attachment-medium size-medium\" alt=\"Two visitors watching a video installation in a darkened gallery\" srcset=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-01.59.58.jpeg 1080w, https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/WhatsApp-Image-2021-02-06-at-01.59.58-768x512.jpeg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/Arash-Maesoom-Metatron-1.png'><img loading=\"lazy\" decoding=\"async\" width=\"848\" height=\"480\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/Arash-Maesoom-Metatron-1.png\" class=\"attachment-medium size-medium\" alt=\"Masoom\" srcset=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/Arash-Maesoom-Metatron-1.png 848w, https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/02\/Arash-Maesoom-Metatron-1-768x435.png 768w\" sizes=\"(max-width: 848px) 100vw, 848px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-24-at-18.47.27.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"483\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-24-at-18.47.27.jpeg\" class=\"attachment-medium size-medium\" alt=\"Abstract black-and-white striped glitch pattern resembling shredded fabric, from Nikzad Arabshahi&#039;s &#039;Generating System&#039;\" srcset=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-24-at-18.47.27.jpeg 860w, https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2021\/01\/WhatsApp-Image-2021-01-24-at-18.47.27-768x431.jpeg 768w\" sizes=\"(max-width: 860px) 100vw, 860px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>The parade started at Parco dei Cappuccini, with the shaking of leafy tree branches and bushes (spontaneous hawthorne and poplars), and finished, after going through the whole city center, at the Sphaeristerium of the city of Santarcangelo. The parade creates an imaginary bond between the natural space (the green space of Parco dei Capuccini) and the city center (the paved Piazza Ganganelli). The whole walk was accompanied by an experimental noise soundtrack, in alternation to fragments of texts and recordings of sounds of nature, composed by the musicians of the collective and played by 4 portable self-constructed PA systems. There were several stops, with lightning-like performances; among them, the \u201ccapture of the Campanone\u201d, on which were flying two banners showing black bush branches and a leaf crossed by a knife as \u201cnew natural weapons\u201d. The mysterious procession reached Piazza Ganganelli to create a powerful collective image connected to the \u201cIllegal Hawthorne\u201d installation: a tripod suspending in the air a green cloud made with hawthorne. This indigenous plant has recently been prohibited from being planted in the ground as it is a carrier of a virus called \u201cFire blow\u201d that damages fruit trees (pear, apple, peach trees). For the installation at the festival, the company had to obtain a special 10-day permission. This way, the parade symbolically linked this illegal and banned plant with its sisters that, paradoxically, grow spontaneously not too far in the Cappuccini forest. At the arrival at the Sphaeristerium, the final act of performer Ondina Quadri was to burn a wind flag painted by Andreco, representing a cloud. The burning cloud, among the growing sounds, accompanied the last words of the parade: a citation from the Oresteia translated into Italian by Pasolini.<\/p>\n<p>\u201cHow to explain that we have broken the chain that makes the Past a source of certainty, the certainty of which we are full and insatiable.<\/p>\n<p>The certainty that, from the bottom of centuries, gives the reason to exist in every instant act of the city; the certainty that saves us from scandal&#8230; A certainty that feeds on cowardice, mediocrity and brutality.<\/p>\n<p>But what is the point of a certainty founded on terror?\u201d**<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cL&#8217;erba Cativa (l&#8217;an mor mai)\u201d is a collective performance that draws inspiration from some timeless images and words, timeless because of their subversive power. These come from Aeschylus&#8217;s Oresteia, and especially from the figures of the Furious Erinyes, \u201cthose baleful children of the night\u201d that symbolize the impossibility of taming wild nature. Rebellious figures difficult [&hellip;]<\/p>\n","protected":false},"author":551,"featured_media":1068,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,88],"tags":[],"class_list":["post-1322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conceptual-art","category-performance-art"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>AN UPDATE WITH GYER - Honargardi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/honargardi.com\/en\/an-update-with-gyer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AN UPDATE WITH GYER - Honargardi\" \/>\n<meta property=\"og:description\" content=\"\u201cL&#8217;erba Cativa (l&#8217;an mor mai)\u201d is a collective performance that draws inspiration from some timeless images and words, timeless because of their subversive power. These come from Aeschylus&#8217;s Oresteia, and especially from the figures of the Furious Erinyes, \u201cthose baleful children of the night\u201d that symbolize the impossibility of taming wild nature. Rebellious figures difficult [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/honargardi.com\/en\/an-update-with-gyer\/\" \/>\n<meta property=\"og:site_name\" content=\"Honargardi\" \/>\n<meta property=\"article:author\" content=\"https:\/\/fb.com\/alireza.mohammadshah\" \/>\n<meta property=\"article:published_time\" content=\"2015-08-17T17:42:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2015\/08\/32_andreco_motus_parata_ph_serena_borghini.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"466\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u0639\u0644\u06cc\u0631\u0636\u0627 \u0645\u062d\u0645\u062f\u0634\u0627\u0647\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@ALIREZAMOHAMM14\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u0639\u0644\u06cc\u0631\u0636\u0627 \u0645\u062d\u0645\u062f\u0634\u0627\u0647\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/\"},\"author\":{\"name\":\"\u0639\u0644\u06cc\u0631\u0636\u0627 \u0645\u062d\u0645\u062f\u0634\u0627\u0647\",\"@id\":\"https:\\\/\\\/honargardi.com\\\/en\\\/#\\\/schema\\\/person\\\/109ff7fef9cce1828af7476fdcef931b\"},\"headline\":\"AN UPDATE WITH GYER\",\"datePublished\":\"2015-08-17T17:42:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/\"},\"wordCount\":671,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/honargardi.com\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2015\\\/08\\\/32_andreco_motus_parata_ph_serena_borghini.jpg\",\"articleSection\":[\"Conceptual art\",\"Performance art\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/\",\"url\":\"https:\\\/\\\/honargardi.com\\\/en\\\/an-update-with-gyer\\\/\",\"name\":\"AN UPDATE WITH GYER - 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These come from Aeschylus&#8217;s Oresteia, and especially from the figures of the Furious Erinyes, \u201cthose baleful children of the night\u201d that symbolize the impossibility of taming wild nature. 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