{"id":1620,"date":"2026-10-27T20:31:43","date_gmt":"2026-10-27T17:01:43","guid":{"rendered":"https:\/\/honargardi.com\/en\/?p=1620"},"modified":"2026-10-27T20:39:54","modified_gmt":"2026-10-27T17:09:54","slug":"menart-fair-2026-paris-mojdeh-atrak-faour","status":"publish","type":"post","link":"https:\/\/honargardi.com\/en\/menart-fair-2026-paris-mojdeh-atrak-faour\/","title":{"rendered":"MENART Fair 2026 in Paris: Mojdeh Atrak\u2019s Linocuts and Faour\u2019s Landscapes of Memory"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">MENART Fair, the Paris fair for modern and contemporary art from the Middle East, North Africa and their diasporas, held its seventh edition from 23 to 25 October 2026 at Galerie Joseph, 116 rue de Turenne, in the 3rd arrondissement, with previews on 22 October. Under the theme <em>Where Is Home?<\/em>, it brought together 34 exhibitors from 18 countries, according to the fair\u2019s own announcement. Honargardi spoke with two people on site: Tannaz Keshavarzian, director of Galerie Keshavarzian in Paris, about the linocuts of the Iranian artist Mojdeh Atrak, and the Lebanese artist and architect Faour, shown by M|S Gallery of Beirut.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/10\/menart-fair-2026-tannaz-keshavarzian-galerie-keshavarzian.jpg\" alt=\"Tannaz Keshavarzian, director of Galerie Keshavarzian, standing in front of black-and-white linocuts by Mojdeh Atrak at MENART Fair in Paris\" class=\"wp-image-1614\"\/><figcaption class=\"wp-element-caption\">Tannaz Keshavarzian, director of Galerie Keshavarzian, at the gallery\u2019s stand in front of Mojdeh Atrak\u2019s linocuts. Video still: Kasra Aliha.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Galerie Keshavarzian: Mojdeh Atrak\u2019s Linocuts<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Galerie Keshavarzian presented Mojdeh Atrak (Iran) in the fair\u2019s Revealing Sector, stand R3. Speaking in Persian, Tannaz Keshavarzian explained that linocut is the main technique of the presentation: the images were carved into linoleum and printed. She said the imagery comes from the artist\u2019s imagination and was transferred onto the plates, and she described the collection as very personal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/10\/menart-fair-2026-mojdeh-atrak-linocut-bears-arches.jpg\" alt=\"Black-and-white linocut by Mojdeh Atrak: three dark animals on a checkerboard ledge above brick arches, each holding a wrapped standing figure\" class=\"wp-image-1615\"\/><figcaption class=\"wp-element-caption\">A black-and-white linocut by Mojdeh Atrak at the Galerie Keshavarzian stand. Video still: Kasra Aliha.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The fair\u2019s page for the gallery lists, among other works, a 2024 linocut on cardboard from the series <em>Be, and it is<\/em> and a 2025 hand-built glazed ceramic relief, <em>Dance in Infinity #1<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/10\/menart-fair-2026-mojdeh-atrak-linocut-cage-gate.jpg\" alt=\"Black-and-white linocut by Mojdeh Atrak: an ornate arched doorway beside a barred gate with large clawed feet and chains, above costumed figures on a checkerboard floor\" class=\"wp-image-1616\"\/><figcaption class=\"wp-element-caption\">Another linocut by Mojdeh Atrak, with an ornamental doorway, a barred gate and figures on a checkerboard floor. Video still: Kasra Aliha.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Colour Returns<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Most of the works at the stand are black and white, with very little colour, Keshavarzian pointed out. A group of colour works, she said, shows that colour seems to have returned to Mojdeh Atrak\u2019s work.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/10\/menart-fair-2026-mojdeh-atrak-carnations-red-frame.jpg\" alt=\"Framed work showing a bouquet of carnations in dark red on pale pink paper, in a red frame on a grey wall\" class=\"wp-image-1617\"\/><figcaption class=\"wp-element-caption\">One of the colour works at the stand: a bouquet of carnations in a red frame. Video still: Kasra Aliha.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1620\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/10\/menart-fair-2026-mojdeh-atrak-colour-works-keshavarzian-booth.jpg\" alt=\"Corner of the Galerie Keshavarzian stand: a red-framed carnation work, a small figure on a black shelf, and two colourful framed works leaning against the wall\" class=\"wp-image-1618\"\/><figcaption class=\"wp-element-caption\">A corner of the Galerie Keshavarzian stand, with colour works leaning against the wall. Video still: Kasra Aliha.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Linocut and Collage as a Stage Set<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">One piece stands apart: a single work that combines two techniques, linocut and collage, which Keshavarzian likened to a stage set. Several linocuts are mounted over one another with gaps between them, which gives the work depth, and the whole is set on black velvet.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/10\/menart-fair-2026-mojdeh-atrak-linocut-collage-mountain-house.jpg\" alt=\"Detail of a black-and-white linocut collage: snow-capped mountains above a brick house fa\u00e7ade with a rooster in an arched window and a checkerboard base\" class=\"wp-image-1619\"\/><figcaption class=\"wp-element-caption\">Detail of the work combining linocut and collage, mounted in layers on black velvet. Video still: Kasra Aliha.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">M|S Gallery: Faour on Home as Memory<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">At M|S Gallery, directed by Michel El Daher and Sirine Ghalayini, Faour (Lebanon) shows works on paper, among them ink and acrylic pieces, according to the fair\u2019s page for the gallery (General Sector, stand F1). The wall text at the stand describes Faour as a Lebanese artist and architect, born and raised in southern Lebanon. Speaking in English, he tied his work to the fair\u2019s question of where home is.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Faour grew up in a rural, secluded area, which gave him, as he put it, an outsider\u2019s view of the city and a sensitivity to the amount of stimulation in it. After moving to Beirut to study architecture, he became more and more fascinated by what buildings can say about a place. With time, the city grew overwhelming, and that is what he tries to depict: the duality between living in a dense, overwhelming city and a home that, for him, is nature and landscape \u2014 quiet, and the peace of being away from things.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Then came the war. \u201cWith the war, I had no more access to a home,\u201d he said. The city began to feel more suffocating, and home \u201cmore like a memory rather than a place.\u201d The cityscapes grew denser \u2014 he described them as places where \u201cyou feel like everything is close to you and you\u2019re sort of being watched\u201d \u2014 and alongside them came what he called \u201cdreamy landscapes\u201d that sit next to the \u201cmonstrous cityscapes.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Event Details<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dates:<\/strong> 23\u201325 October 2026 (previews on 22 October)<br><strong>Venue:<\/strong> Galerie Joseph, 116 rue de Turenne, 75003 Paris<br><strong>Theme:<\/strong> Where Is Home?<br><strong>Founder and director:<\/strong> Laure d\u2019Hauteville<br><strong>Galerie Keshavarzian (Paris):<\/strong> Revealing Sector, R3 \u2014 Mojdeh Atrak<br><strong>M|S Gallery (Beirut):<\/strong> General Sector, F1 \u2014 Faour<br><strong>Website:<\/strong> menart-fair.com<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Text and photographs: Kasra Aliha. Tannaz Keshavarzian spoke in Persian and is paraphrased here; Faour\u2019s words are quoted from the recorded interview in English. Event information is from the fair\u2019s official website.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At MENART Fair in Paris, Tannaz Keshavarzian presented Mojdeh Atrak\u2019s linocuts, and the Lebanese artist Faour spoke about home as a memory rather than a place.<\/p>\n","protected":false},"author":581,"featured_media":1615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[221,154,223,222,186,169,196],"class_list":["post-1620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-faour","tag-galerie-keshavarzian","tag-linocut","tag-ms-gallery","tag-menart-fair","tag-mojdeh-atrak","tag-paris"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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