{"id":1672,"date":"2026-11-03T15:17:17","date_gmt":"2026-11-03T11:47:17","guid":{"rendered":"https:\/\/honargardi.com\/en\/?p=1672"},"modified":"2026-11-03T15:17:17","modified_gmt":"2026-11-03T11:47:17","slug":"brussels-1900-petit-palais-to-open-exhibition-of-more-than-250-works-on-belgian-art-on-10-november","status":"publish","type":"post","link":"https:\/\/honargardi.com\/en\/brussels-1900-petit-palais-to-open-exhibition-of-more-than-250-works-on-belgian-art-on-10-november\/","title":{"rendered":"Brussels 1900: Petit Palais to open exhibition of more than 250 works on Belgian art on 10 November"},"content":{"rendered":"\n

The Petit Palais in Paris will open the exhibition Brussels 1900<\/em> on 10 November 2026, according to the museum\u2019s press release. It brings together more than 250 works \u2014 paintings, sculptures, decorative arts, posters, jewellery, photographs, architectural designs and graphic arts \u2014 documenting the art scene of the Belgian capital around the turn of the twentieth century. The exhibition runs until 25 April 2027.<\/p>\n\n\n\n

\"\"
Fernand Khnopff, Des caresses, 1896. Royal Museums of Fine Arts of Belgium, Brussels. \u00a9 Photo: Jelle Van Seghbroeck. Press image: Petit Palais.<\/figcaption><\/figure>\n\n\n\n

The show is organised in partnership with the Royal Museums of Fine Arts of Belgium, the Royal Museums of Art and History and the Royal Library of Belgium (KBR), which have made exceptional loans from their collections, the Petit Palais says. It also receives the support of the mus\u00e9e d\u2019Orsay. The title refers to the 1900 Exposition Universelle in Paris: according to the museum, the Belgian section in the newly inaugurated Grand Palais, with almost 150 paintings and sculptures, was met with unanimous enthusiasm and confirmed Brussels as a major European art centre at the turn of the century.<\/p>\n\n\n\n

Seven thematic sections<\/h2>\n\n\n\n

The press release says the exhibition is divided into seven sections. It opens with the artistic circles, such as La Libre Esth\u00e9tique, that shaped Brussels\u2019s cultural life in the late nineteenth century and fostered collaborations between painters and writers; the museum cites L\u00e9on Spilliaert and Maurice Maeterlinck, \u00c9mile Verhaeren and Th\u00e9o Van Rysselberghe, and Max Elskamp and Henry van de Velde. James Ensor, Fernand Khnopff, L\u00e9on Frederic and Jean Delville are named among the key figures.<\/p>\n\n\n\n

\"\"
James Ensor, Squelette peignant, 1896. Royal Museum of Fine Arts Antwerp (KMSKA), Collection Flemish Community. \u00a9 Photo: Rik Klein Gotink. Press image: Petit Palais.<\/figcaption><\/figure>\n\n\n\n

Later sections address mystery, dreams and the supernatural, where the museum highlights Jean Delville, founder of the Pour l\u2019art circle; the exaltation of nature, from the Impressionism of Anna Boch and Juliette Wytsman to the Pointillism of Th\u00e9o Van Rysselberghe, Georges Lemmen and Georges Morren, the Luminism of \u00c9mile Claus and the Naturism of L\u00e9on Frederic and Firmin Baes; and the depiction of the working classes by Constantin Meunier, L\u00e9on Frederic and Eug\u00e8ne Laermans. Another section looks at the relationship with the Flemish tradition.<\/p>\n\n\n\n

\"\"
Juliette Wytsman, Les gen\u00eats. Royal Museums of Fine Arts of Belgium, Brussels. \u00a9 Photo d\u2019art Speltdoorn & Fils, Bruxelles. Press image: Petit Palais.<\/figcaption><\/figure>\n\n\n\n

Total art, and the colonial context<\/h2>\n\n\n\n

The exhibition also covers the idea of \u201ctotal art\u201d, in which painting, sculpture, architecture, furniture, typography and jewellery shared one ambition, and Brussels\u2019s role as a cradle of Art Nouveau through the architecture of Victor Horta, Paul Hankar and Henry van de Velde, per the press release. The museum also states that the show addresses the links between this artistic golden age and Leopold II\u2019s colonial activities in the Congo, including the arrival of materials such as ivory and exotic woods, in a context it describes as now being critically re-examined. The final section turns to the Belgian artists at the 1900 Exposition Universelle, several of whom received medals.<\/p>\n\n\n\n

Curators<\/h2>\n\n\n\n

The general curators are G\u00e9raldine David, general director of the Royal Museums of Art and History; Sara Lammens, director of the Royal Library of Belgium (KBR); Annick Lemoine, president of the Mus\u00e9es d\u2019Orsay et de l\u2019Orangerie and former director of the Petit Palais; and Kim Oosterlinck, general director of the Royal Museums of Fine Arts of Belgium. The scientific curators are Anne-Charlotte Cathelineau, chief heritage curator in charge of sculpture at the Petit Palais; Davy Depelchin, curator of nineteenth-century paintings and sculptures at the Royal Museums of Fine Arts of Belgium; and Benjamin Foudral, director of the Mus\u00e9e Gustave Courbet in Ornans.<\/p>\n\n\n\n

Practical information:<\/strong> Petit Palais \u2013 Mus\u00e9e des Beaux-Arts de la Ville de Paris, avenue Winston-Churchill, 75008 Paris. 10 November 2026 \u2013 25 April 2027. Open Tuesday to Sunday, 10 a.m. to 6 p.m., with late opening until 8 p.m. on Fridays and Saturdays, according to the museum\u2019s website, which also lists ticket prices and booking.<\/p>\n\n\n\n

Sources:<\/strong> Petit Palais \u2013 exhibition page<\/a>; Petit Palais \u2013 press release (PDF)<\/a>; La DH \/ Belga<\/a> (cross-check of dates and loan partners).<\/p>\n\n\n\n

This article was prepared with AI assistance and reviewed by the Honargardi editorial team.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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