{"id":2011,"date":"2026-11-10T00:36:50","date_gmt":"2026-11-09T21:06:50","guid":{"rendered":"https:\/\/honargardi.com\/en\/?p=2011"},"modified":"2026-11-10T00:37:05","modified_gmt":"2026-11-09T21:07:05","slug":"lorenzo-vitturi-catacaos-193-gallery-paris","status":"publish","type":"post","link":"https:\/\/honargardi.com\/en\/lorenzo-vitturi-catacaos-193-gallery-paris\/","title":{"rendered":"Lorenzo Vitturi\u2019s Catacaos: Glass, Wool and a Dried Gourd at 193 Gallery in Paris"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Catacaos<\/em>, Lorenzo Vitturi\u2019s first solo exhibition at 193 Gallery in Paris, opened on Monday 9 November 2026 and runs until 23 December 2026. Built around the <em>poto<\/em>, a dried calabash, it brings together tapestries, glass sculptures and photographs that follow the artist\u2019s Italian and Peruvian roots through the materials that connect them: Murano glass, Peruvian yarns and wool.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Text and interview: <a href=\"https:\/\/kasraaliha.com\">Kasra Aliha<\/a>. Photographs: <a href=\"https:\/\/behnoodmassoumi.fr\">Behnood Massoumi<\/a>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1800\" height=\"832\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-tapestries-first-room-corner.jpg\" alt=\"Two monumental wall tapestries in wool and plant silk with Murano glass, hung on peach-coloured walls in the first room of Catacaos at 193 Gallery, Paris\" class=\"wp-image-2001\"\/><figcaption class=\"wp-element-caption\">Tapestries in the first room of Catacaos at 193 Gallery, Paris. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">A Journey Guided by a Calabash<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Catacaos is a small town in northern Peru. For Vitturi it became the destination of a journey guided by an object that has long fascinated him: the <em>poto<\/em>, or calabash, a dried gourd traditionally used to serve and share <em>chicha de jora<\/em>, an ancient fermented corn drink. The object is deeply rooted in local craftsmanship and ritual, and it revealed an unexpected personal connection: according to the gallery, Catacaos was the birthplace of the artist\u2019s great-grandfather.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition, accompanied by a text by curator and writer Giulia Civardi, brings together photography, sculpture and tapestry and traces personal, cultural and material histories across Italy and Peru, the artist\u2019s two countries of origin. Vitturi, who was born in Venice in 1980 and is based between London and Venice, works with Murano glass and beads, Peruvian yarns, Jesmonite and other materials that are continually reconfigured, stitched, assembled and transformed.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The main connection between these three different mediums is, first of all, a narrative connection. It is the story that links the materials.<\/p>\n<cite>Lorenzo Vitturi<\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">The three media follow the three rooms of the gallery.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">First Room: Tapestries Knotted in India, Finished in Murano<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In the first room, the sinuous outline of the calabash takes shape in monumental tapestries. According to the wall text, they were knotted in wool and plant silk by artisans of the Jaipur Rugs Foundation and enriched with Murano glass, bringing together distinct traditions and geographies. Vitturi told Honargardi that the tapestries were made in India and finished in his studio in Murano, and that here the textile holds the glass.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1800\" height=\"832\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-two-tapestries-on-wall.jpg\" alt=\"Two tapestries with organic shapes in blue, red, orange and grey, hung side by side in the first room of the exhibition\" class=\"wp-image-2010\"\/><figcaption class=\"wp-element-caption\">Tapestries by Lorenzo Vitturi, first room. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-red-tapestry-with-fringe-scaled.jpg\" alt=\"Tall tapestry in shades of red and pink with green and yellow areas, red glass details and a long fringe\" class=\"wp-image-2007\"\/><figcaption class=\"wp-element-caption\">Tapestry with fringe, first room. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-blue-and-green-tapestry-scaled.jpg\" alt=\"Tapestry with thick blue and green fringes over red, yellow and green pile\" class=\"wp-image-2002\"\/><figcaption class=\"wp-element-caption\">Tapestry with blue and green fringes. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Second Room: Glass That Holds Yarn<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The second room reverses the relationship. Totemic glass sculptures titled <em>Combinado<\/em> enclose Peruvian yarns: here the raw Murano glass contains the textile, \u201cexactly the opposite\u201d of the tapestries, Vitturi said. The wall text links the sculptures to the Andean <em>apachetas<\/em>, the ritual offerings left by travellers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"832\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-three-combinado-glass-sculptures.jpg\" alt=\"Three totemic Combinado glass sculptures on pale pink plinths: yellow, red and blue\" class=\"wp-image-2009\"\/><figcaption class=\"wp-element-caption\">Combinado sculptures in the second room. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Their shapes echo the dried calabash. The silhouettes of the tapestries and the sculptures all derive from this one object, the artist explained, and he has been intrigued by its cultural value for about ten years:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">In the last trip to Peru, I discovered that in this really little region in the north of Peru \u2026 the main object, which is actually transforming in really different ways, is the dry calabash, which is like a complete coincidence that explained this unconscious attraction with this object.<\/p>\n<cite>Lorenzo Vitturi<\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-combinado-sculpture-calabash-glass-scaled.jpg\" alt=\"Glass sculpture enclosing yellow-brown yarn, topped by a dried calabash on a base of clear glass\" class=\"wp-image-2003\"\/><figcaption class=\"wp-element-caption\">A Combinado sculpture: Peruvian yarn inside glass, topped by a dried calabash. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-sculptures-and-framed-photograph-scaled.jpg\" alt=\"Blue-and-black and yellow glass sculptures in front of a framed photograph of a masked figure\" class=\"wp-image-2008\"\/><figcaption class=\"wp-element-caption\">Sculptures and a photograph in the exhibition. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-gallery-view-calabash-sculpture-scaled.jpg\" alt=\"View of the second room with a glass sculpture topped by a dried calabash and other sculptures on plinths\" class=\"wp-image-2006\"\/><figcaption class=\"wp-element-caption\">View of the second room. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Last Room: Hybrid Figures in Red Adobe<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In the last room, photographs show hybrid figures draped in Peruvian textiles. According to the wall text, their faces are hidden by masks inspired by both Andean and Venetian traditions, and they stand against landscapes and walls of red adobe. Glass, textile and Peruvian yarns appear here again, transformed once more inside the photographic setting.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-framed-photograph-red-yellow-headdress-scaled.jpg\" alt=\"Photograph in a wooden box frame of a figure with a headdress of red and yellow yarn and a mask over the face, against a red adobe wall\" class=\"wp-image-2005\"\/><figcaption class=\"wp-element-caption\">Photograph in a wooden box frame, last room. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1183\" height=\"2560\" src=\"https:\/\/honargardi.com\/en\/wp-content\/uploads\/sites\/2\/2026\/11\/lorenzo-vitturi-catacaos-193-gallery-paris-framed-photograph-red-cloth-scaled.jpg\" alt=\"Photograph in a wooden box frame of a figure in a red cloth with a colourful mask, against a red adobe wall\" class=\"wp-image-2004\"\/><figcaption class=\"wp-element-caption\">Photograph in a wooden box frame, last room. Photo: Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Vitturi, an Italian-Peruvian artist, sums up his approach:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">I use the transformation of raw materials to reveal my personal story, and also the stories behind the materials.<\/p>\n<cite>Lorenzo Vitturi<\/cite><\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">About the Artist<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lorenzo Vitturi (born 1980, Venice) is an Italian-Peruvian artist based between London and Venice. His sculptures and photographs draw on exchanges with local communities, crafts and cultural traditions, and on the memories held in raw materials and everyday objects. He has had solo exhibitions at institutions including FOAM in Amsterdam, Fondazione MAST in Bologna, the Centre Photographique Rouen Normandie, The Photographers\u2019 Gallery in London and the Centre National de l\u2019Audiovisuel in Luxembourg.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Practical Information<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Exhibition:<\/strong> Lorenzo Vitturi, <em>Catacaos<\/em>, 9 November to 23 December 2026 (dates as listed on the gallery\u2019s website).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Opening:<\/strong> Monday 9 November 2026, 6 to 9 pm, in the presence of the artist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Venue:<\/strong> 193 Gallery, 24 rue B\u00e9ranger, 75003 Paris. According to the gallery\u2019s website, it is open Tuesday to Saturday, 10:30 am to 7 pm; please check with the gallery before visiting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">More information: <a href=\"https:\/\/www.193gallery.com\/exhibitions\/133-lorenzo-vitturi-catacaos\/\" target=\"_blank\" rel=\"noopener\">exhibition page on the 193 Gallery website<\/a>. Instagram: <a href=\"https:\/\/www.instagram.com\/193gallery\/\" target=\"_blank\" rel=\"noopener\">@193gallery<\/a> and <a href=\"https:\/\/www.instagram.com\/lorenzovitturi\/\" target=\"_blank\" rel=\"noopener\">@lorenzovitturi<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Text and interview: <a href=\"https:\/\/kasraaliha.com\">Kasra Aliha<\/a>. Photographs: <a href=\"https:\/\/behnoodmassoumi.fr\">Behnood Massoumi<\/a>. Quotations come from a conversation with the artist at the opening and have been lightly edited for clarity.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lorenzo Vitturi\u2019s first solo exhibition at 193 Gallery in Paris, Catacaos, runs from 9 November to 23 December 2026 and joins Murano glass, Peruvian yarns and tapestries made with Indian weavers around a dried calabash.<\/p>\n","protected":false},"author":581,"featured_media":2001,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[170,232,61,84],"tags":[244,243,245,196,242],"opp_region":[],"opp_type":[],"class_list":["post-2011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-gallery-museum-events","category-photography","category-sculpturing","tag-193-gallery","tag-lorenzo-vitturi","tag-murano-glass","tag-paris","tag-textile-art"],"acf":{"venue_name":"193 Gallery","exhibition_title":"Lorenzo Vitturi \u2014 Catacaos","artists":"Lorenzo Vitturi","start_date":"20261109","end_date":"20261223","address":"24 rue B\u00e9ranger, 75003 Paris","map_link":"https:\/\/maps.google.com\/?q=24+rue+B%C3%A9ranger+75003+Paris","source_link":"https:\/\/www.193gallery.com\/exhibitions\/133-lorenzo-vitturi-catacaos\/","city":"Paris","exhibition_type":"solo","lat":48.8666621,"lng":2.3634387},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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