{"id":103,"date":"2026-10-19T02:36:53","date_gmt":"2026-10-18T23:06:53","guid":{"rendered":"https:\/\/honargardi.com\/fr\/?p=103"},"modified":"2026-10-19T02:56:59","modified_gmt":"2026-10-18T23:26:59","slug":"rembrandt-et-les-anciens-le-met-et-le-louvre-preparent-une-grande-exposition-pour-2027-2028","status":"publish","type":"post","link":"https:\/\/honargardi.com\/fr\/rembrandt-et-les-anciens-le-met-et-le-louvre-preparent-une-grande-exposition-pour-2027-2028\/","title":{"rendered":"\u00ab Rembrandt et les Anciens \u00bb : le Met et le Louvre pr\u00e9parent une grande exposition pour 2027-2028"},"content":{"rendered":"<p>Le 15 octobre 2026, le Metropolitan Museum of Art de New York a annonc\u00e9 \u00ab Rembrandt and the Ancients \u00bb (\u00ab Rembrandt et les Anciens \u00bb), une exposition qu\u2019il organise avec le mus\u00e9e du Louvre. Elle sera pr\u00e9sent\u00e9e au Met du 7 novembre 2027 au 6 f\u00e9vrier 2028, puis au Louvre du 22 mars au 3 juillet 2028. Le Met la pr\u00e9sente comme sa premi\u00e8re grande exposition consacr\u00e9e \u00e0 Rembrandt van Rijn (1606-1669) depuis plus de vingt ans. L\u2019\u00e9ch\u00e9ance est lointaine, mais le projet m\u00e9rite d\u2019\u00eatre regard\u00e9 d\u00e8s maintenant : il propose d\u2019aborder Rembrandt par un biais rarement explor\u00e9.<\/p>\n<h2>Un pan m\u00e9connu de l\u2019\u0153uvre<\/h2>\n<p>Le fil conducteur est le rapport de Rembrandt \u00e0 l\u2019histoire, \u00e0 l\u2019art et \u00e0 la litt\u00e9rature de la Gr\u00e8ce, de Rome et du monde m\u00e9diterran\u00e9en au sens large, de ses premiers grands tableaux d\u2019histoire jusqu\u2019aux portraits tardifs de h\u00e9ros et d\u2019h\u00e9ro\u00efnes. Le Met y voit un aspect sous-estim\u00e9 mais essentiel de sa carri\u00e8re.<\/p>\n<p>Le communiqu\u00e9 replace cet int\u00e9r\u00eat dans le contexte de la R\u00e9publique n\u00e9erlandaise du XVII<sup>e<\/sup> si\u00e8cle : Amsterdam abritait des collections d\u2019art antique et un th\u00e9\u00e2tre consacr\u00e9 en partie \u00e0 des drames antiques, et de nombreux textes de l\u2019Antiquit\u00e9 y paraissaient en traduction n\u00e9erlandaise. Dans le m\u00eame temps, l\u2019ouverture au monde de la R\u00e9publique, comme les \u00e9volutions de la science et de la philosophie, \u00e9clairaient mais aussi mettaient \u00e0 l\u2019\u00e9preuve la sagesse que l\u2019on pr\u00eatait de longue date aux Anciens. C\u2019est dans cet environnement que Rembrandt aurait \u00e9labor\u00e9 une lecture r\u00e9solument moderne de l\u2019Antiquit\u00e9, mobilisant ses th\u00e8mes et ses motifs pour parler de son propre temps.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"592\" height=\"624\" src=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/10\/rembrandt-aristotle-with-a-bust-of-homer-met-61-198.jpg\" alt=\"Tableau de Rembrandt : un homme barbu en robe sombre pose la main sur le buste d\u2019un autre homme\" class=\"wp-image-100\"\/><figcaption>Rembrandt van Rijn, <em>Aristote contemplant le buste d\u2019Hom\u00e8re<\/em> (<em>Aristotle with a Bust of Homer<\/em>), 1653. Huile sur toile, 143,5 \u00d7 136,5 cm. The Metropolitan Museum of Art, New York, Purchase, special contributions and funds given or bequeathed by friends of the Museum, 1961 (61.198). Image : The Metropolitan Museum of Art, Open Access (CC0).<\/figcaption><\/figure>\n<h2>Ce que l\u2019on verra<\/h2>\n<p>L\u2019exposition r\u00e9unira plus de 125 \u0153uvres, dont environ 70 de Rembrandt (peintures, gravures et dessins), plusieurs montr\u00e9es aux \u00c9tats-Unis pour la premi\u00e8re fois, ainsi que des objets antiques et de la Renaissance qui lui ont servi de points de r\u00e9f\u00e9rence. Parmi les \u0153uvres de la collection du Met figure <em>Aristote contemplant le buste d\u2019Hom\u00e8re<\/em> (1653).<\/p>\n<p>Les pr\u00eats annonc\u00e9s sont de premier plan : <em>L\u2019Enl\u00e8vement de Ganym\u00e8de<\/em> (Gem\u00e4ldegalerie Alte Meister, Dresde) ; <em>Femme se baignant dans un ruisseau<\/em> (National Gallery, Londres) et <em>Bethsab\u00e9e tenant la lettre du roi David<\/em> (mus\u00e9e du Louvre), toutes deux pr\u00e9sent\u00e9es aux \u00c9tats-Unis pour la premi\u00e8re fois ; et, pour la premi\u00e8re fois de son histoire aux \u00c9tats-Unis, le monumental <em>Oath of the Batavians<\/em> (\u00ab Le Serment des Bataves \u00bb ; Konstakademien, Acad\u00e9mie royale des beaux-arts de Su\u00e8de, Stockholm). Le tableau du Louvre sera accompagn\u00e9 du relief romain antique (Palazzo Altemps, Rome) et d\u2019\u0153uvres graphiques apparent\u00e9es dont il s\u2019inspire.<\/p>\n<p>Les dessins ne sont pas en reste : les trois croquis de bustes romains de Rembrandt (Albertina, Vienne ; Biblioth\u00e8que royale de Turin ; Kupferstichkabinett, Berlin), <em>Diane et Act\u00e9on<\/em> (Kupferstich-Kabinett, Dresde) et <em>L\u2019Idol\u00e2trie de Salomon<\/em> \u00e0 la sanguine (Louvre).<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"479\" height=\"624\" src=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/10\/rembrandt-bellona-met-32-100-23.jpg\" alt=\"Tableau de Rembrandt repr\u00e9sentant Bellone, d\u00e9esse romaine de la guerre, casqu\u00e9e et munie d\u2019un bouclier\" class=\"wp-image-101\"\/><figcaption>Rembrandt van Rijn, <em>Bellone<\/em> (<em>Bellona<\/em>), 1633. Huile sur toile, 127 \u00d7 97,5 cm. The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (32.100.23). Image : The Metropolitan Museum of Art, Open Access (CC0).<\/figcaption><\/figure>\n<p>Nota bene : <em>Bellone<\/em> (1633) et <em>Flore<\/em> (vers 1654), reproduites ici, appartiennent aussi \u00e0 la collection du Met et ont pour sujet des divinit\u00e9s romaines. Le communiqu\u00e9 ne les cite pas parmi les \u0153uvres annonc\u00e9es ; elles servent seulement \u00e0 donner une id\u00e9e du registre.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"574\" height=\"625\" src=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/10\/rembrandt-flora-met-26-101-10.jpg\" alt=\"Tableau de Rembrandt repr\u00e9sentant Flore, d\u00e9esse romaine des fleurs et du printemps, couronn\u00e9e de fleurs\" class=\"wp-image-102\"\/><figcaption>Rembrandt van Rijn, <em>Flore<\/em> (<em>Flora<\/em>), vers 1654. Huile sur toile, 100 \u00d7 91,8 cm. The Metropolitan Museum of Art, New York, Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926 (26.101.10). Image : The Metropolitan Museum of Art, Open Access (CC0).<\/figcaption><\/figure>\n<h2>Un projet franco-am\u00e9ricain<\/h2>\n<p>L\u2019exposition est organis\u00e9e par le Met et le Louvre. Ses commissaires sont Joanna Sheers Seidenstein, conservatrice associ\u00e9e au d\u00e9partement des dessins et estampes du Met, et Blaise Ducos, conservateur charg\u00e9 de la peinture flamande et hollandaise du Louvre. Un catalogue richement illustr\u00e9, avec des contributions des commissaires et d\u2019autres sp\u00e9cialistes, accompagnera l\u2019exposition ; les programmes \u00e9ducatifs et publics seront annonc\u00e9s ult\u00e9rieurement.<\/p>\n<p>Pour le public parisien, l\u2019\u00e9tape du Louvre en 2028 sera le rendez-vous. Le communiqu\u00e9 n\u2019en d\u00e9taille pas encore le contenu : rien n\u2019indique, \u00e0 ce stade, que le parcours parisien reprendra \u00e0 l\u2019identique la s\u00e9lection new-yorkaise.<\/p>\n<h2>Ce que l\u2019on retient<\/h2>\n<p>Le m\u00e9rite du projet tient \u00e0 son angle. Rembrandt est souvent associ\u00e9 \u00e0 la tradition, au \u00ab vieux ma\u00eetre \u00bb par excellence ; le Met et le Louvre entendent montrer au contraire \u00e0 quel point son usage de l\u2019Antiquit\u00e9 fut libre et inventif, et les \u0153uvres antiques et graphiques plac\u00e9es \u00e0 c\u00f4t\u00e9 des tableaux permettront de juger sur pi\u00e8ces. Il faudra attendre les programmes et la liste d\u00e9finitive des \u0153uvres pour en mesurer l\u2019ampleur ; \u00e0 ce stade, il s\u2019agit d\u2019une annonce.<\/p>\n<p><strong>Rembrandt and the Ancients<\/strong> \u2014 The Met Fifth Avenue, Tisch Galleries, salle 899, 2<sup>e<\/sup> \u00e9tage, New York, du 7 novembre 2027 au 6 f\u00e9vrier 2028 ; puis mus\u00e9e du Louvre, Paris, du 22 mars au 3 juillet 2028.<br \/>Sources : <a href=\"https:\/\/www.metmuseum.org\/press-releases\/rembrandt-ancients\" target=\"_blank\" rel=\"noopener\">communiqu\u00e9 du Met (15 octobre 2026)<\/a> ; <a href=\"https:\/\/www.metmuseum.org\/press\" target=\"_blank\" rel=\"noopener\">salle de presse du Met<\/a>.<\/p>\n<p><em>Cet article a \u00e9t\u00e9 pr\u00e9par\u00e9 avec l\u2019aide de l\u2019intelligence artificielle et revu par la r\u00e9daction de Honargardi.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Met annonce, avec le Louvre, une exposition consacr\u00e9e au rapport de Rembrandt \u00e0 l\u2019Antiquit\u00e9 : New York en 2027-2028, Paris en 2028.<\/p>\n","protected":false},"author":581,"featured_media":100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,30],"tags":[],"class_list":["post-103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-visuels","category-evenements"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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