{"id":453,"date":"2026-11-10T00:36:45","date_gmt":"2026-11-09T21:06:45","guid":{"rendered":"https:\/\/honargardi.com\/fr\/?p=453"},"modified":"2026-11-10T00:36:45","modified_gmt":"2026-11-09T21:06:45","slug":"lorenzo-vitturi-catacaos-193-gallery-paris","status":"publish","type":"post","link":"https:\/\/honargardi.com\/fr\/lorenzo-vitturi-catacaos-193-gallery-paris\/","title":{"rendered":"Catacaos de Lorenzo Vitturi \u00e0 la 193 Gallery, Paris : le verre, la laine et la calebasse"},"content":{"rendered":"\n

Catacaos<\/em>, premi\u00e8re exposition personnelle de Lorenzo Vitturi \u00e0 la 193 Gallery \u00e0 Paris, a ouvert ses portes le lundi 9 novembre 2026 et se tient jusqu\u2019au 23 d\u00e9cembre 2026. Construite autour du poto<\/em>, une calebasse s\u00e9ch\u00e9e, elle r\u00e9unit tapisseries, sculptures en verre et photographies qui suivent les racines italiennes et p\u00e9ruviennes de l\u2019artiste \u00e0 travers les mat\u00e9riaux qui les relient : verre de Murano, fils p\u00e9ruviens et laine.<\/p>\n\n\n\n

Texte et entretien : Kasra Aliha<\/a>. Photographies : Behnood Massoumi<\/a>.<\/em><\/p>\n\n\n\n

\"Deux
Tapisseries dans la premi\u00e8re salle de Catacaos, 193 Gallery, Paris. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n\n\n\n

Un voyage guid\u00e9 par une calebasse<\/h2>\n\n\n\n

Catacaos est une petite ville du nord du P\u00e9rou. Pour Vitturi, elle est devenue la destination d\u2019un voyage guid\u00e9 par un objet qui le fascine depuis longtemps : le poto<\/em>, ou calebasse, une gourde s\u00e9ch\u00e9e traditionnellement utilis\u00e9e pour servir et partager la chicha de jora<\/em>, une ancienne boisson de ma\u00efs ferment\u00e9. Profond\u00e9ment ancr\u00e9 dans l\u2019artisanat et les rituels locaux, cet objet a r\u00e9v\u00e9l\u00e9 un lien personnel inattendu : selon la galerie, Catacaos est le lieu de naissance de l\u2019arri\u00e8re-grand-p\u00e8re de l\u2019artiste.<\/p>\n\n\n\n

L\u2019exposition, accompagn\u00e9e d\u2019un texte de la curatrice et \u00e9crivaine Giulia Civardi, r\u00e9unit photographie, sculpture et tapisserie et retrace des histoires personnelles, culturelles et mat\u00e9rielles entre l\u2019Italie et le P\u00e9rou, les deux pays d\u2019origine de l\u2019artiste. N\u00e9 \u00e0 Venise en 1980 et install\u00e9 entre Londres et Venise, Vitturi travaille le verre et les perles de Murano, les fils p\u00e9ruviens, la Jesmonite et d\u2019autres mat\u00e9riaux, sans cesse reconfigur\u00e9s, cousus, assembl\u00e9s et transform\u00e9s.<\/p>\n\n\n\n

\n

Le lien principal entre ces trois m\u00e9diums est avant tout un lien narratif. C\u2019est l\u2019histoire qui relie les mat\u00e9riaux.<\/p>\nLorenzo Vitturi<\/cite><\/blockquote>\n\n\n\n

Les trois m\u00e9diums se r\u00e9partissent dans les trois salles de la galerie.<\/p>\n\n\n\n

Premi\u00e8re salle : des tapisseries nou\u00e9es en Inde, achev\u00e9es \u00e0 Murano<\/h2>\n\n\n\n

Dans la premi\u00e8re salle, les contours sinueux de la calebasse prennent forme dans des tapisseries monumentales. D\u2019apr\u00e8s le texte mural, elles ont \u00e9t\u00e9 nou\u00e9es en laine et en soie v\u00e9g\u00e9tale par des artisans de la Jaipur Rugs Foundation et agr\u00e9ment\u00e9es de verre de Murano, r\u00e9unissant des traditions et des g\u00e9ographies distinctes. Vitturi a expliqu\u00e9 \u00e0 Honargardi que ces tapisseries ont \u00e9t\u00e9 r\u00e9alis\u00e9es en Inde puis termin\u00e9es dans son atelier \u00e0 Murano, et qu\u2019ici le textile contient le verre.<\/p>\n\n\n\n

\"Deux
Tapisseries de Lorenzo Vitturi, premi\u00e8re salle. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n\n\n\n
\n
\n
\"Haute
Tapisserie \u00e0 franges, premi\u00e8re salle. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\"Tapisserie
Tapisserie aux franges bleues et vertes. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Deuxi\u00e8me salle : le verre qui contient le fil<\/h2>\n\n\n\n

La deuxi\u00e8me salle inverse le rapport. Des sculptures tot\u00e9miques en verre, intitul\u00e9es Combinado<\/em>, renferment des fils p\u00e9ruviens : le verre brut de Murano contient ici le textile, \u00ab exactement l\u2019inverse \u00bb des tapisseries, a dit Vitturi. Le texte mural les rapproche des apachetas<\/em> andines, ces offrandes rituelles d\u00e9pos\u00e9es par les voyageurs.<\/p>\n\n\n\n

\"Trois
Sculptures Combinado dans la deuxi\u00e8me salle. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n\n\n\n

Leurs formes rappellent la calebasse s\u00e9ch\u00e9e. Les silhouettes des tapisseries comme celles des sculptures d\u00e9rivent de ce seul objet, a expliqu\u00e9 l\u2019artiste, qui s\u2019int\u00e9resse \u00e0 sa valeur culturelle depuis une dizaine d\u2019ann\u00e9es :<\/p>\n\n\n\n

\n

Lors de mon dernier voyage au P\u00e9rou, j\u2019ai d\u00e9couvert que, dans cette toute petite r\u00e9gion du nord du pays \u2026 l\u2019objet principal, qui se transforme de fa\u00e7ons tr\u00e8s diff\u00e9rentes, est la calebasse s\u00e9ch\u00e9e, ce qui est une pure co\u00efncidence qui a expliqu\u00e9 cette attirance inconsciente pour cet objet.<\/p>\nLorenzo Vitturi<\/cite><\/blockquote>\n\n\n\n

\n
\n
\"Sculpture
Une sculpture Combinado : fil p\u00e9ruvien dans le verre, surmont\u00e9e d\u2019une calebasse s\u00e9ch\u00e9e. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\"Sculptures
Sculptures et photographie dans l\u2019exposition. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\"Vue
Vue de la deuxi\u00e8me salle. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Derni\u00e8re salle : figures hybrides sur fond d\u2019adobe rouge<\/h2>\n\n\n\n

Dans la derni\u00e8re salle, des photographies montrent des figures hybrides dr\u00e2p\u00e9es dans des textiles p\u00e9ruviens. Selon le texte mural, leurs visages sont dissimul\u00e9s par des masques inspir\u00e9s \u00e0 la fois des traditions andines et v\u00e9nitiennes, sur fond de paysages et de parois en adobe rouge. Le verre, le textile et les fils p\u00e9ruviens y reviennent, transform\u00e9s une fois encore dans l\u2019espace photographique.<\/p>\n\n\n\n

\n
\n
\"Photographie
Photographie dans un cadre-caisson en bois, derni\u00e8re salle. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\"Photographie
Photographie dans un cadre-caisson en bois, derni\u00e8re salle. Photo : Behnood Massoumi.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Artiste italo-p\u00e9ruvien, Vitturi r\u00e9sume ainsi sa d\u00e9marche :<\/p>\n\n\n\n

\n

J\u2019utilise la transformation des mati\u00e8res premi\u00e8res pour r\u00e9v\u00e9ler mon histoire personnelle, et aussi les histoires qui se cachent derri\u00e8re les mat\u00e9riaux.<\/p>\nLorenzo Vitturi<\/cite><\/blockquote>\n\n\n\n

L\u2019artiste<\/h2>\n\n\n\n

Lorenzo Vitturi (n\u00e9 en 1980 \u00e0 Venise) est un artiste italo-p\u00e9ruvien install\u00e9 entre Londres et Venise. Ses sculptures et ses photographies s\u2019appuient sur des \u00e9changes avec des communaut\u00e9s locales, sur des savoir-faire et des traditions culturelles, ainsi que sur les m\u00e9moires port\u00e9es par les mati\u00e8res brutes et les objets du quotidien. Il a pr\u00e9sent\u00e9 des expositions personnelles notamment au FOAM \u00e0 Amsterdam, \u00e0 la Fondazione MAST \u00e0 Bologne, au Centre Photographique Rouen Normandie, \u00e0 The Photographers\u2019 Gallery \u00e0 Londres et au Centre national de l\u2019audiovisuel \u00e0 Luxembourg.<\/p>\n\n\n\n

Informations pratiques<\/h2>\n\n\n\n

Exposition :<\/strong> Lorenzo Vitturi, Catacaos<\/em>, du 9 novembre au 23 d\u00e9cembre 2026 (dates indiqu\u00e9es sur le site de la galerie).<\/p>\n\n\n\n

Vernissage :<\/strong> lundi 9 novembre 2026, de 18 h \u00e0 21 h, en pr\u00e9sence de l\u2019artiste.<\/p>\n\n\n\n

Lieu :<\/strong> 193 Gallery, 24 rue B\u00e9ranger, 75003 Paris. D\u2019apr\u00e8s le site de la galerie, elle est ouverte du mardi au samedi, de 10 h 30 \u00e0 19 h ; renseignez-vous aupr\u00e8s de la galerie avant votre visite.<\/p>\n\n\n\n

Pour en savoir plus : page de l\u2019exposition sur le site de la 193 Gallery<\/a>. Instagram : @193gallery<\/a> et @lorenzovitturi<\/a>.<\/p>\n\n\n\n

Texte et entretien : Kasra Aliha<\/a>. Photographies : Behnood Massoumi<\/a>. Les citations proviennent d\u2019une conversation avec l\u2019artiste lors du vernissage ; elles ont \u00e9t\u00e9 traduites de l\u2019anglais et l\u00e9g\u00e8rement \u00e9dit\u00e9es par souci de clart\u00e9.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Premi\u00e8re exposition personnelle de Lorenzo Vitturi \u00e0 la 193 Gallery \u00e0 Paris, Catacaos est pr\u00e9sent\u00e9e du 9 novembre au 23 d\u00e9cembre 2026 : tapisseries, sculptures en verre de Murano et photographies autour d\u2019une calebasse s\u00e9ch\u00e9e.<\/p>\n","protected":false},"author":581,"featured_media":443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30,16,8,18],"tags":[76,73,75,23,77],"opp_region":[],"opp_type":[],"class_list":["post-453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","category-photographie","category-reportages","category-sculpture","tag-193-gallery","tag-art-textile","tag-lorenzo-vitturi","tag-paris","tag-verre-de-murano"],"acf":{"venue_name":"193 Gallery","exhibition_title":"Lorenzo Vitturi \u2014 Catacaos","artists":"Lorenzo Vitturi","start_date":"20261109","end_date":"20261223","address":"24 rue B\u00e9ranger, 75003 Paris","map_link":"https:\/\/maps.google.com\/?q=24+rue+B%C3%A9ranger+75003+Paris","source_link":"https:\/\/www.193gallery.com\/exhibitions\/133-lorenzo-vitturi-catacaos\/","city":"Paris","exhibition_type":"solo","lat":48.8666621,"lng":2.3634387},"yoast_head":"\nCatacaos de Lorenzo Vitturi \u00e0 la 193 Gallery, Paris : le verre, la laine et la calebasse - 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