{"id":497,"date":"2026-11-12T15:56:58","date_gmt":"2026-11-12T12:26:58","guid":{"rendered":"https:\/\/honargardi.com\/fr\/?p=497"},"modified":"2026-11-12T15:58:53","modified_gmt":"2026-11-12T12:28:53","slug":"la-tate-britain-consacre-une-exposition-a-vanessa-bell-et-duncan-grant-et-installe-a-londres-leur-atelier-de-charleston","status":"publish","type":"post","link":"https:\/\/honargardi.com\/fr\/la-tate-britain-consacre-une-exposition-a-vanessa-bell-et-duncan-grant-et-installe-a-londres-leur-atelier-de-charleston\/","title":{"rendered":"La Tate Britain consacre une exposition \u00e0 Vanessa Bell et Duncan Grant, et installe \u00e0 Londres leur atelier de Charleston"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La Tate Britain, \u00e0 Londres, ouvre le 12 novembre 2026 <em>Vanessa Bell &amp; Duncan Grant: Inside Bloomsbury<\/em>, une exposition consacr\u00e9e au demi-si\u00e8cle de collaboration artistique entre les peintres Vanessa Bell (1879-1961) et Duncan Grant (1885-1978). Selon le communiqu\u00e9 de presse de la Tate, le parcours r\u00e9unit plus de 300 \u0153uvres et comprend une reconstitution de l\u2019atelier que les deux artistes partageaient \u00e0 Charleston, leur maison du Sussex de l\u2019Est, transf\u00e9r\u00e9 au mus\u00e9e pendant les travaux de conservation de Charleston. L\u2019exposition se tient jusqu\u2019au 11 avril 2027.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Tate la pr\u00e9sente comme la premi\u00e8re grande exposition \u00e0 retracer ensemble la relation et le parcours artistique du duo, des premi\u00e8res toiles postimpressionnistes et abstraites aux autoportraits, paysages et natures mortes plus naturalistes de la maturit\u00e9. Le groupe de Bloomsbury est souvent abord\u00e9 d\u2019abord par ses \u00e9crivains, \u00e0 commencer par Virginia Woolf, s\u0153ur de Vanessa Bell ; l\u2019exposition place au contraire les deux peintres au centre du r\u00e9cit et l\u2019\u00e9tend au mobilier, \u00e0 la c\u00e9ramique et aux textiles orn\u00e9s de leurs motifs.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1098\" height=\"737\" src=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-bell-grant-self-portraits-press.jpg\" alt=\"Autoportraits de Vanessa Bell et Duncan Grant, image de presse de l\u2019exposition \u00e0 la Tate Britain\" class=\"wp-image-495\" srcset=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-bell-grant-self-portraits-press.jpg 1098w, https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-bell-grant-self-portraits-press-768x515.jpg 768w\" sizes=\"(max-width: 1098px) 100vw, 1098px\" \/><figcaption class=\"wp-element-caption\">\u00c0 gauche : Vanessa Bell, Autoportrait, vers 1915. Yale Center for British Art, Paul Mellon Fund. \u00a9 Estate of Vanessa Bell. All rights reserved, DACS 2026. \u00c0 droite : Duncan Grant, Autoportrait, vers 1920. \u00a9 Estate of Duncan Grant. All rights reserved, DACS 2026. Image de presse : Tate.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">De Gordon Square au postimpressionnisme<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Vanessa Bell et Duncan Grant figuraient parmi les membres essentiels du groupe de Bloomsbury, cercle d\u2019artistes, d\u2019\u00e9crivains et d\u2019intellectuels r\u00e9uni au 46 Gordon Square, la maison londonienne de Vanessa Bell et de ses fr\u00e8res et s\u0153ur. Le communiqu\u00e9 fait remonter le d\u00e9but de leur relation durable \u00e0 une lettre de 1909, dans laquelle Bell invitait Grant \u00e0 prendre le th\u00e9 et lui proposait qu\u2019ils s\u2019appellent par leurs pr\u00e9noms ; ils s\u2019\u00e9taient rencontr\u00e9s pour la premi\u00e8re fois en 1906.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le parcours s\u2019ouvre sur des \u0153uvres ant\u00e9rieures \u00e0 leur rencontre : <em>Iceland Poppies<\/em> (vers 1908-1909), peint par Bell apr\u00e8s son apprentissage aupr\u00e8s de John Singer Sargent, et <em>After Chardin<\/em> (vers 1906), l\u2019une des copies de ma\u00eetres anciens r\u00e9alis\u00e9es par Grant \u00e0 Paris. Il suit ensuite leur r\u00e9action \u00e0 l\u2019exposition <em>Manet and the Post-Impressionists<\/em> organis\u00e9e par Roger Fry \u00e0 Londres en 1910, \u00e0 travers <em>Studland Beach<\/em> (vers 1912) de Bell et <em>Group at Asheham<\/em> (1913) de Grant. Deux tableaux d\u2019un m\u00eame motif peints c\u00f4te \u00e0 c\u00f4te, <em>Still Life on Corner of a Mantelpiece<\/em> de Bell et <em>The Mantelpiece<\/em> de Grant (tous deux de 1914), sont pr\u00e9sent\u00e9s ensemble. Selon la Tate, le duo a produit certaines des premi\u00e8res \u0153uvres abstraites de Grande-Bretagne.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les Omega Workshops et les commandes communes<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Une section est consacr\u00e9e aux Omega Workshops, entreprise de design fond\u00e9e en 1913 qui effa\u00e7ait la fronti\u00e8re entre beaux-arts et arts d\u00e9coratifs, et dont Bell et Grant devinrent directeurs. Leurs motifs ornaient c\u00e9ramiques, \u00e9ventails, pieds de lampe, chaises, tables et armoires. L\u2019exposition \u00e9voque aussi leurs commandes, dont les couvertures de livres dessin\u00e9es par Bell pour Virginia Woolf et les peintures murales de Grant, ainsi que les rares projets men\u00e9s \u00e0 deux, en particulier le <em>Famous Women Dinner Service<\/em> (1932-1934) : 50 assiettes Wedgwood peintes \u00e0 la main, consacr\u00e9es \u00e0 des femmes de Jane Austen \u00e0 Cl\u00e9op\u00e2tre, que la Tate qualifie d\u2019\u0153uvre f\u00e9ministe majeure.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">La vie \u00e0 Charleston<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Bell et Grant ont partag\u00e9 un foyer pendant plus de cinquante ans et ont eu une fille, Angelica. Le communiqu\u00e9 rappelle que Vanessa Bell vivait un mariage ouvert avec le critique d\u2019art Clive Bell, tandis que les relations de Grant \u00e9taient principalement masculines, et indique que l\u2019exposition montre des nus masculins \u00e9rotiques de Grant, rarement vus et longtemps rest\u00e9s cach\u00e9s. Apr\u00e8s la Premi\u00e8re Guerre mondiale, le duo revient \u00e0 des sujets plus naturalistes, peignant les bords de Seine \u00e0 Paris, le Sud de la France, l\u2019Italie et l\u2019Espagne. Dans les ann\u00e9es 1920, ils s\u2019installent \u00e0 Charleston, dans le Sussex, cadre d\u2019\u0153uvres comme <em>The Hammock<\/em> (1921-1923) de Grant et <em>Interior with the Artist\u2019s Daughter<\/em> (vers 1935-1936) de Bell. L\u2019atelier qu\u2019ils y ont partag\u00e9 jusqu\u2019en 1939 est pr\u00e9sent\u00e9 pour la premi\u00e8re fois hors de Charleston.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019exposition est organis\u00e9e par la Tate Britain en collaboration avec Charleston. Ses commissaires sont Thomas Kennedy, conservateur (Modern British Art), et Eliza Spindel, conservatrice adjointe (Modern British Art), \u00e0 la Tate Britain. Selon la Tate, elle b\u00e9n\u00e9ficie du soutien de Kim Jones, vice-pr\u00e9sident du Charleston Trust, et de Farrow &amp; Ball.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1920\" height=\"1275\" src=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-britain-millbank-2010-lewis-clarke.jpg\" alt=\"Fa\u00e7ade de la Tate Britain sur Millbank, \u00e0 Londres\" class=\"wp-image-496\" srcset=\"https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-britain-millbank-2010-lewis-clarke.jpg 1920w, https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-britain-millbank-2010-lewis-clarke-768x510.jpg 768w, https:\/\/honargardi.com\/fr\/wp-content\/uploads\/sites\/3\/2026\/11\/tate-britain-millbank-2010-lewis-clarke-1536x1020.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">La Tate Britain, Millbank, Londres. Photo d\u2019archives prise le 13 octobre 2010. Photo : Lewis Clarke, via Wikimedia Commons, CC BY-SA 2.0.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Infos pratiques :<\/strong> <em>Vanessa Bell &amp; Duncan Grant: Inside Bloomsbury<\/em>, Tate Britain, Millbank, Londres SW1P 4RG. Du 12 novembre 2026 au 11 avril 2027. Ouvert tous les jours de 10 h \u00e0 18 h. Billets sur tate.org.uk ; gratuit pour les membres de la Tate ; 5 \u00a3 pour les 16-25 ans via Tate Collective.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sources :<\/strong> <a href=\"https:\/\/www.tate.org.uk\/press\/press-releases\/vanessa-bell--duncan-grant-inside-bloomsbury\">communiqu\u00e9 de presse de la Tate (27 mai 2026)<\/a> ; <a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/vanessa-bell-and-duncan-grant\">page de l\u2019exposition \u00e0 la Tate Britain<\/a> ; <a href=\"https:\/\/www.artfund.org\/explore\/exhibitions\/2026\/11\/12\/vanessa-bell-and-duncan-grant-inside-bloomsbury\">fiche de l\u2019exposition sur Art Fund<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cet article a \u00e9t\u00e9 pr\u00e9par\u00e9 avec l&rsquo;aide de l&rsquo;intelligence artificielle et revu par la r\u00e9daction de Honargardi.<\/em><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Du 12 novembre 2026 au 11 avril 2027, la Tate Britain r\u00e9unit plus de 300 \u0153uvres de Vanessa Bell et Duncan Grant et pr\u00e9sente pour la premi\u00e8re fois hors de Charleston l\u2019atelier du couple d\u2019artistes.<\/p>\n","protected":false},"author":581,"featured_media":495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"opp_region":[],"opp_type":[],"class_list":["post-497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-visuels"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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