Ata Mohammadi

With a close look at his works and the absence of any technical problems, one can really doubt the creation of these works by human hands. Discovering a combination of sadness and realism in Atta Mohammadi’s works reminds art lovers of the caricatures of the American illustrator Brad Holland and the French painter Roland Topor. The sarcastic metaphor seen in his works challenges stereotypes in his own style. And this question can be raised whether this style of his is due to the circumstances around him or not? Or is he thinking about the problems and cultural problems that can be found all over the world? Is his style limited to the world around him or does it have a bigger effect and covers the whole world? Ata Mohammadi has a special language in presenting his works. He constantly displays the problems around him not only with artistic tools but also with a method that is fruitful and understandable and tangible to the society. Barbed shoulders, a teapot hanging on a sunbed, and many other works of his show his kind of opposition to the concept of limitation, and the objects have an allusion to what is a deeper concept and meaning than just showing the object itself. A thing is no longer just a thing, but expresses a deeper meaning and concept. From a historical point of view, his works express the beauty that was displayed by the Surrealist after the Second World War. Freedom of expression, protest and innovation can be called an important element in the creation of Atta Mohammadi’s works.